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Quarto Escuro by Candeia

Биография артиста Candeia

Blending A Rich Talent As Samba Composer With A Passion For The Negro Cause Candeia Had Great Success With His Sambas With Which The Prominent Samba School Portela Co-Founded By Him Had Several Important Victories. His Compositions Were Also Recorded By Many Great Artists Like Clementina De Jesus Clara Nunes Paulinho Da Viola And Others. Because Of His Respect For The Samba Culture He Denounced The Loss Of Traditions And Left Portela In 1975 Founding The Grêmio Recreativo De Arte Negra Escola De Samba Quilombo Which Had Clear Statutes Regarding Negro Ideals. He Recorded Seven LPs As An Interpreter Including The Posthumously Released Axé One Of The Most Important Albums Of The Samba Genre. Son Of A Typographer Sambista And Flutist Who Always Promoted Partido-Alto And Choro Get-Togethers And Also Was The Creator Of The Comissões De Frente Group Of The Representatives Of The Samba School Directory Who Parade During Carnival Candeia Was In The Center Of The Samba Action Since He Was Very Young. It Was Natural That He Soon Became Friends With Zé Com Fome Zé Da Zilda Luperce Miranda Claudionor Cruz And Other Renowned Musicians And Sambistas. As A Member Of The Samba School Vai Como Pode He Was One Of The Founders Of The G.R.E.S. Portela The Portela Samba School. In 1953 He Wrote The First Samba-Enredo For The New School "Seis Datas Magnas " With Altair Prego. In That Carnival For The First Time Ever A Samba School Portela Had The Maximum Grade In Every Criterion. "Festas Juninas Em Fevereiro" Candeia/Valdir 59 Gave Portela The Third Place In 1955 And "Legados De D. João VI" Same Authors Received The First Place In 1957. He Was The Director Of The Group Mensageiros Do Samba In The '60s Which Recorded An LP. In 1961 He Joined The Police Soon Achieving The Reputation Of Being Fierce And Truculent. Annoyed By A Car Accident He Came Out Shooting And Received A Bullet In His Spine Which Rendered Him Paraplegic For The Rest Of His Life. In The Long Period Of Depression He Faced Thereafter Candeia Remained Secluded And His Compositional Style Changed Sensibly. By And By Though Friends Like Bibi Ferreira And Martinho Da Vila Brought Him To The Samba Scene Again. His Samba "Minhas Madrugadas " Written With Paulinho Da Viola Was Recorded By The Latter In 1966. In 1970 He Recorded An LP As An Interpreter. In The Same Year The Group Nosso Samba Recorded His "Dia De Graça " A Song In Which He Reported His Saga And Clementina De Jesus Recorded Three Of His Songs. In 1971 Paulinho Da Viola Recorded "Filosofia Do Samba" And Clara Nunes Recorded "Anjo Moreno" And "Sariorerê." The Denounce Of The Loss Of Tradition In Samba Was Expressed In The Book Escola De Samba Árvore Que Perdeu A Raiz With Isnard . His Life Was Depicted In The Biography Candeia Luz Da Inspiração By João Batista M. Vargens Martins Fontes/Funarte Rio De Janeiro 1987.

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